Filed under: Uncategorized | Tags: audrey hepburn, blake lively, chace crawford, cinema, ed westwick, film, gene kelly, gossip girl, hitchcock, james dean, photography, singin' in the rain, sofia coppola, the birds, YSL, yves saint laurent
some new things I found and am enjoying too much
listen to this. It will blow your tiny minds or whatever.

(a new favourite Anna Wolf)


(on the set of The Birds)









(ysl)
Filed under: Uncategorized | Tags: audrey hepburn, cinema, film, funny face, hipsters, paris hilton, wtf
… and I could certainly use a release!
That is one of my favourite scenes in all of film history (from Funny Face).
I think I speak for the entire female population when I say if there is one woman that we could look like, speak like, contain half the charm of, it would be Audrey Hepburn.
But…. doesn’t it bother you (ok I might be speaking for myself here since I am still surrounded by a lot of dumb people in school) that girls always quote Audrey or talk about Audrey but have never seen any of her movies? Breakfast at Tiffany’s doesn’t even count since ever single living human being has seen it. I hate that. When people are like that with anyone it bothers me.. i.e. Marilyn Monroe (never seen her in anything, never cared for her *runs* so I don’t talk about her but, she’s a good example) and Andy Warhol. the next jackass I see going around flaunting photos of any of them or quoting any of them… blah! I don’t know, this is probably just a pretentious rant, but it drives me crazy. You don’t know something about someone by carrying around a tote bag with their face on it.
like okay, what the fuck is this?

Actually… this post thus far reminds me of THIS
Here are some highlights that reminded me of me/friends/assorted hipsters:
In college, most hipsters study photography, graphic design, English literature, creative writing, or some kind of history so that when they graduate, they’ll be unemployed and spend their days listening to music and attending Cut Copy concerts.
They prefer to have a full bed or larger so they have room to sleep with their MacBook, iPhone, Moleskine, a pile of dirty American Apparel clothes, a copy of last month’s “Nylon”, an ashtray full of Parliaments, and an empty beer bottle or two.
They love and vicariously live through “Gossip Girl” because they don’t have the money or power to act that way in real life. Also, god forbid, they’d most likely lose a few Facebook friends if they were that bitchy.
Be warned: when they’re driving in the passenger seat of your car, they *will* change the song or radio station without your permission.

Filed under: Uncategorized | Tags: audrey hepburn, breakfast at tiffany's, film



We belong to nobody, and nobody belongs to us. We don’t even belong to each other.
Filed under: Uncategorized | Tags: 2001: a space odyssey, a clockwork orange, alfie, alfred hitchcock, audrey hepburn, austin powers, band of outsiders, breathless, buster keaton, children of men, cinema, clint eastwood, film, gangs of new york, get carter, grace kelly, greta garbo, high noon, hitchcock, it's a wonderful life, jean-luc godard, jean-paul belmondo, jimmy stewart, last tango in paris, louis garrel, marlon brando, martin scorsese, masculin feminin, michael caine, movies, mr smith goes to washington, play misty for me, psycho, queen christina, rear window, regular lovers, stanley kubrick, the dark knight, the departed, the italian job, the shining, vertigo
Happy December.
The more and more I get into film, I think about how different the film industry is now compared to how it was, you know, then. There are some cases where I think you really get a sense of old school film, like in Garrel’s Les Amants réguliers, but those cases are extremely rare.
Well anyway. today I was thinking about some actors and directors that just have never been able to be replaced. Guess they shouldn’t be though. They are gone (or really old in some cases) but they are immortal really.
Buster Keaton. the funniest man I have ever seen on screen. He is funny without saying anything (well, ok no pun intended….). Looking at him cheers me up. His looks are funny but sometimes also heartbreaking. Comedians these days just cannot touch this man, no one carries as much emotion in a face as Buster (no, not even Chaplin, sorry).
Jean-Paul Belmondo was, and still is, the pinnacle of a Frenchman to me. He embodies everything I think most people think of when French actors come to mind. His never ending nonchalance and cool just blow my mind. I don’t think anyone has ever been this strangely appealing since his appearance in Pierrot Le Fou. He even made it into Donovan’s famous “Sunny South Kensington.” Jean-Paul probably was the first person that made you want to wear a suit every day and chain smoke cigarettes.
Marlon Brando is, of course, the epitome of the American movie star. No one since has had the perfect mixture of beauty and talent. Of course he is genius as the Godfather, but I think his performance in Last Tango in Paris is just stellar. Not many folk can make the characters he played sympathetic the way he did. Marlon has a lot of what I don’t think many actors have, which is respect from his peers, no matter what.
Clint Eastwood is the man. Even some of these ridiculous films he made, like Play Misty For Me, are enjoyable because his performances are mesmerizing. His acting is above most others, but what is most stunning about this man is the control he took of his own career and how he used his talent to make films. He is without a doubt the best actor/director out there.
Jimmy Stewart, who most people know is one of my all time favourite actors. Not only did he execute some of the best, most memorable Hitchcock films (i.e. Rear Window, Vertigo) but created one of the best actor-director relationships ever in my opinion with the man. His accent, his slightly awkward looks and choice in films makes him one of the best loved, most unique, and most missed actors that has never been replaced. Mr Smith Goes to Washington and It’s A Wonderful Life are just unforgettable.
Audrey Hepburn, who doesn’t even really need an explanation. She set the bar for actresses after her. Her performances are so convincing and emotional. She immortalized so many things, like little black dresses, the 1960s style, and beauty. Although she is gone so many girls still look up to her as a role model for being yourself and expressing it.

Greta Garbo. Queen Christina. So unusually beautiful and mesmerizing. {edit} apparently the photo I used to have here was of Joan Crawford. tbh I couldn’t tell the difference and I know nothing about joan crawford. but this photo now IS Greta!
Grace Kelly. I think watching and looking at Grace in films like Rear Window and High Noon is where you can really see a definite difference between Old Hollywood and what’s around today. Of course she was beautiful, but she was beautiful in a way that was so enhanced by her talent. Not to diss on most actresses today, but it seems to me that a lot of them are popular because of how “hot” they are. Grace is a perfect example to me of a beautiful, talented woman. I would go as far as to call her an artist. Even alongside stars like Jimmy Stewart and Gary Cooper, she stole every film she was in.
Michael Caine is by far the coolest man on earth today. He could very well be my all time favourite. What sets him apart from others is that after all these years (40+) he continues to make great, great films, and immortalize his characters. Of course there are the obvious greats like Alfie, Get Carter and The Italian Job (okay people, anyone who watches the new version of this film and hasn’t seen the original/prefers the new version honestly has a mental disorder) but like Brando, a lot of his lesser known roles are just as brilliant. His newer roles are also just as memorable as the old ones, if not more. He is Alfred in Batman Begins and The Dark Knight, he is Jasper in Children of Men, and he is Nigel in Austin Powers (the only thing that makes the AP movies tolerable). Plus, all the kids love ‘im. They just don’t know who he is. Tsk tsk.
Stanley Kubrick is the best director of all time, and anyone who wants to argue with me is wrong. He might not be your favourite, but he is the best. Tons of people make good films. A smaller amount of people make great films. But Stanley is the only one, the ONLY one who made truly stylistic, artistic, gorgeous, unrepeatable films art. Almost every one he made is on people’s Best Films Ever lists. How can you even try to compete with A Clockwork Orange, The Shining, and 2001: A Space Odyssey? There just is no competition for a more innovative director ever. The way he utilized symmetry and colour is copied in every film you ever see. Every single one (a la There Will Be Blood, closing scene anyone?). Be thankful this man existed, or else the world wouldn’t have directors like Paul Thomas Anderson, or hell, anyone really.
Alfred Hitchcock is the ultimate master of suspense. Everyone has seen a Hitch film whether they are aware of it or not. He used so many weird techniques it almost became surreal at some points (points to the scene falling-down-the-stairs-scene in Psycho) but so many traditional ones with a spin. He made you afraid of so many daily, normal things. Because of him, you are scared of showers in an empty house, and of course, you are afraid of birds.
Martin Scorsese is the epitome of American filmmaking. He might be the youngest person in this post, but he is a veteran of the film industry. He is like Michael Caine in that he continues to make AMAZING FILM after AMAZING FILM. Dude, like, Gangs of New York and The Departed are two of his best films and they were both made this decade. Everyone wants to work with him, which is not something a lot of people can claim. No one does it like Marty does.
I was almost not doing to talk about Jean-Luc Godard because I have no idea how to. I really don’t know how to articulate what he does or why it is attractive. Breathless is the best French film ever made but Band Of Outsiders and Masulin Feminin are so, so fucking great. I really don’t even know how to say it. He’s just amazing and inspirational. I think he was one of the first directors to purposefully and successfully make art out of what he shot.
Those are just some of my favourites though, off the top of my head. There are so many I didn’t name, like Cary Grant, Humphrey Bogart, Ingrid Bergman, Jean-Pierre Leaud, Anna Karina, Christopher Plummer, James Dean, Gene Kelly, Chaplin (as a filmmaker), Orson Welles, Woody Allen, Francois Truffaut, Bernardo Bertolucci, and more, who are all amazing. The talent that existed in those times is honestly incomprehensible to me.






